Königin der Nacht, Barcelona, Ópera Actual, 2020
"The initially planned Sara Blanch was replaced by the very young Alba Martínez as the Queen of the Night,
coming from the invaluable Sabadell Opera Singing School. Her performance on a stage like the Palau and in
such a tricky role was very commendable. Her voice does not have great volume and she logically needs to
mature, but her coloratura was notably precise in rhythm and intonation, and her high notes were projected
with absolute confidence."
Königin der Nacht, Barcelona, El Periódico, 2020
"The Queen of the Night by the young Alba Martínez was very convincing, who showcased her best skill in
coloratura and high notes."
Alaior, XXIV Concert Líric de Sant Llorenç, 2022
"...the young soprano Alba Martínez delivered a brilliant and magnificent interpretation of the first aria of
the Queen of the Night, 'Der Höle Rache,' from Mozart's 'The Magic Flute.' The soprano, with extraordinary
coloratura skills, demonstrated impressive vocal technique and great beauty and fullness in the delivery of
the highest notes, as well as in executing the agile passages of the challenging piece. In the second part,
the 'Canción del ruiseñor,' from A. Vives' 'Doña Francisquita,' with the agile dialogue with the flute,
completed the soprano's solo interventions."
Carmen, Barcelona, Diari Ara, 2022
"...it is worth specifically highlighting the solos of soprano Alba Martínez..."
Inclusive Lyric, A Coruña, La Voz de Galicia, 2022
"The artist gives her best in coloratura repertoire (arias from Romeo and Juliet, The Tales of Hoffmann, and
Candide, with brave and successful variations in the latter two). Her singing is honest (very good staccatos)
and the artist expresses herself with just expressiveness..."
